Touki Bouki(des)encuadres políticos de la diáspora estética
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Universitat de Barcelona
info
- Rodríguez Mattalía, Lorena (coord.)
- García Puchades, Wenceslao (coord.)
Editorial: edUPV, Editorial Universitat Politècnica de València ; Universitat Politècnica de València
ISBN: 9788490488027
Año de publicación: 2019
Páginas: 68-73
Congreso: Congreso Internacional Estética y Política (4. 2019. Valencia)
Tipo: Aportación congreso
Resumen
The paper proposes an approach to the film Touki Bouki (1973) by the senegalese director Djibril Diop Mambéty. As epistemological frame I use concepts from Jacques Rancière’s philosophy to explore the film in its own ambivalence between: (1) representational images from a post-Independance context in Dakar (Senegal); and (2) a metaphor of the diaspora representations toward an «aesthetic diaspora» (Peffer, 2013). I explore the film as a displacement from discursive political practices to aesthetic political practices. The film is not made of documentary images, as the militant cinema or Third Cinema does; but it’s made of aesthetic and fictional identification forms able to avoid colonial logics. Finally, I aim to explore the staging of the film as a reassembly of visual resources and tools from the nouvelle vague with a political and social apparatus of visibility that defies the historiographic logic of colonial subalternity and goes beyond the dicotomic discourses of master-slave / oppressor-oppressed.