Applied theatre in higher educationan innovative project for the initial training of educators

  1. Cristina del Moral Barrigüete 1
  2. Belén Massó Guijarro 1
  1. 1 Universidad de Granada
    info

    Universidad de Granada

    Granada, España

    ROR https://ror.org/04njjy449

Revue:
Educação & Formação

ISSN: 2448-3583

Année de publication: 2022

Volumen: 7

Número: 1

Pages: 2

Type: Article

DOI: 10.25053/REDUFOR.V7I1.5528 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

D'autres publications dans: Educação & Formação

Résumé

Drama presents multiple possibilities for promoting and enhancing communication, literary, and emotional skills in future educators. Theatre and dramatization have a direct impact on affectivity, provoking truly significant learning with a capacity for transformation, within a playful environment. In this paper, we present the design of an innovative proposal in the university context, which introduces theatre as an educational strategy in the four bachelor’s degrees taught in the Faculty of Education (Pre-School Education, Primary Education, Social Education and Pedagogy) at the University of Granada (Spain). This project is implemented by an interdisciplinary team composed of education specialists and drama specialists. The starting point for this work emerges from confidence in the potential of education and communication through words, and also through arts. The fundamental objective is to develop new curricular competencies in the participating students that might be essential to transform the current society in crisis. The results of this project would help to achieve a full creative and emotional linguistic-literary education, helped by the impulse and animation to the reading of literary, philosophical, and social texts while showing commitment to the complex and diverse society of today.

Références bibliographiques

  • ACKROYD, J. Applied theatre: problems and possibilities. Applied Theatre Journal, v. 1, p. 1-13, 2000.
  • AGUIAR, J. Applied theatre in peacebuilding and development. Journal of Peacebuilding and Development, v. 15, n. 1, p. 45-60, 2020.
  • ALLAN, J. Inclusive education and the arts. Cambridge Journal of Education, v. 44, n. 4, p. 511-523, 2014.
  • BALDWIN, P. El arte dramático aplicado a la educación. Madrid: Morata, 2014.
  • BITTENCOURT, D. R.; BASSALO, L. M. B. B. “O corpo é voz, mas na Educação Física não: compreensões sobre corpo na formação docente. Educação & Formação, Fortaleza, v. 6, n. 2, e4091, 2021.
  • BOAL, A. Juegos para actores y no actores. Barcelona: Alba, 2011.
  • CAPOUS-DESYLLAS, M.; MORGAINE, K. Creating social change through creativity: anti-oppressive. USA: Palgrave Macmillan, 2018.
  • CONESA, E.; ANGOSTO, S. La expresión corporal y danza en la Educación Física de secundaria y bachillerato. Cuadernos de Psicología del Deporte, Murcia, v. 17, n. 2, p. 111-120, 2017.
  • DOBSON, T.; STEPHENSON, L. Challenging boundaries to cross: primary teachers exploring drama pedagogy for creative writing with theatre educators in the landscape of performativity. Professional Development in Education, v. 46, p. 245-255, 2018.
  • FELIPPE, M. G.; GOUVÊA DA SILVA, A. F. Prática teatral no ensino de Ciências: limites e possibilidades. Educação & Formação, Fortaleza, v. 2, n. 5, p. 147-163, 2017.
  • FERNÁNDEZ-LÓPEZ, M. Á. Para qué el arte: reflexiones en torno al arte y su educación en tiempos de crisis. Madrid: Fundamentos, 2015.
  • FERNÁNDEZ RIAL, R. Expresión dramática e teatral para a clase de linguas no ensino secundario: un estudo teórico-práctico. 2016. Tesis – Universidad de Santiago de Compostela, Santiago de Compostela, 2016.
  • FLENSNER, K. K.; LARSSON, G.; SÄLJÖ, R. Jihadists and refugees at the theatre: global conflicts in classroom practices in Sweden. Education Sciences, v. 9, n. 2, p. 1-17, 2019.
  • GARCÍA-GARCÍA, J. J.; PARADA-MORENO, N. J.; OSSA-MONTOYA, A. F. El drama creativo una herramienta para la formación cognitiva, afectiva, social y académica de estudiantes y docentes. Revista Latinoamericana de Ciencias Sociales, Niñez y Juventud, Manizales, v. 15, n. 2, p. 839-859, 2017.
  • GARCÍA GÓMEZ, T.; DE VICENTE HERNANDO, C. The forum-theatre as a didactic tool for the educational change. Educación XX1, Madrid, v. 23, n. 1, p. 437-458, 2020.
  • LAGE-GÓMEZ, C.; CREMADES-ANDREU, R. Theorising ‘participatory creativity’ in music education: unpacking the whole process at a Spanish secondary school. Music Education Research, v. 22, n. 1, p. 54-67, 2020.
  • MACKEY, S. Applied Theatre and practice as research: polyphonic conversations. Research in Drama Education, v. 21, n. 4, p. 478–491, 2016.
  • MCKENNA, J. Creating community theatre for social change. Studies in Theatre and Performance, n. 34, p. 84-89, 2014.
  • MÉNDEZ-MARTÍNEZ, E. Movimiento Nacional por el Teatro en Educación. ¡Empecemos!. Revista de Artes Performativas, Educación y Sociedad, Asturias, v. 1, n. 1, p. 7-10, 2019.
  • MÉNDEZ-MARTÍNEZ, E.; FERNANDEZ-RIO, J. Effects of a theatrical improvisation programme on students’ motor creativity. Research in Drama Education, v. 26, n. 2, p. 268-282, 2020.
  • MOLINA GARCÍA, M. J.; DEL MORAL-BARRIGÜETE, C. El fomento de la lectura como ‘hábito saludable’ en los futuros maestros: un estudio exploratorio. In: ANTONIO MARÍN, J. et al. (ed.). Inclusión, tecnología y sociedad: investigación e innovación en educación. Madrid: Dyckinson, 2019. p. 1549-1561.
  • MOTOS, T. et al. Otros escenarios para el teatro. Ciudad Real: Ñaque, 2013.
  • MOTOS, T.; NAVARRO, A. ¿Hacia dónde puede ir el teatro en la educación?. Trayectoria: Práctica Docente en Educación Artística, Buenos Aires, v. 9, p. 10-41, 2021.
  • MOTOS, T.; FERRANDIS, D. Teatro aplicado. Teatro del oprimido, teatro playback, dramaterapia. Barcelona: Octaedro, 2015.
  • MUÑOZ BELLERIN, M.; CORDERO RAMOS, N. La creación colectiva teatral. Método de acción social y resistencia con el colectivo de Personas sin Hogar en Sevilla, España. Estudios Políticos, Ciudaae México, DF, n. 50, p. 42-61, 2017.
  • NAVARRO SOLANO, M. R. La formación inicial del profesorado en las universidades públicas españolas para el uso dela dramatización en el aula. Enseñanza & Teaching: Revista Interuniversitaria de Didáctica, Sevilla, v. 21, p. 181-198, 2003.
  • NAVARRO, M. R. Drama y transformación: su metodología y práctica educativa. Revista de Ciencias de la Educación: Órgano del Instituto Calasanz de Ciencias de la Educación, Madrid, v. 227, p. 317-336, 2011.
  • NÚÑEZ CUBERO, L.; NAVARRO SOLANO, M. R. Dramatización y educación: aspectos teóricos. Teoría de la Educación, Salamanca, v. 19, p. 225-252, 2007.
  • NURI, E.; BAYRAM TOPDAL, E. Using drama in school development. Procedia - Social and Behavioral Sciences, v. 141, p. 566-570, 2014.
  • PALOMERO PESCADOR, J. E.; FERNÁNDEZ DOMÍNGUEZ, M. R.; TERUEL MELERO, M. P. La formación de los maestros en España: tiempos de cambio. Revista Educación y Pedagogía, Antioqua, v. 20, n. 50, p. 33-58, 2008.
  • PALKKI, J. “My voice speaks for itself”: the experiences of three transgender students in American Secondary School Choral Programs. International Journal of Music Education, v. 38, n. 1, p. 126-146, 2020.
  • QUILES, M. C. Discurso publicitario e intertextualidad: itinerarios para la formación comunicativa del profesorado. Educação & Formação, Fortaleza, v. 6, n. 1, e3455, 2021.
  • ROKKA, S. et al. Effect of dance aerobic programs on intrinsic motivation and perceived task climate in secondary school students. International Journal of Instruction, v. 12, n. 1, p. 641-654, 2019.
  • SEDANO-SOLÍS, A. S. El teatro aplicado como campo interdisciplinario de investigación en los estudios teatrales. Artnodes: Revista de Arte, Ciencia y Tecnología, Barcelona, v. 23, p. 104-113, 2019.
  • VIEITES-GARCÍA, M. F. La investigación teatral en una perspectiva educativa: retos y posibilidades. Educatio Siglo XXI, Murcia, v. 33, n. 2, p. 11-30, 2015.