Paradisu galduan barrenaEuskal paisaiaren deseraiketa eta eraiketa Arte Garaikidean

  1. Olaia Miranda Berasategi
Libro:
II. Ikergazte nazioarteko ikerketa euskaraz: Kongresuko artikulu-bilduma.
  1. Iñaki Alegria (ed. lit.)
  2. Ainhoa Latatu (ed. lit.)
  3. Miren Josu Omaetxebarria (ed. lit.)
  4. Patxi Salaberri (ed. lit.)

Editorial: Udako Euskal Unibertsitatea, UEU = Universidad Vasca de Verano

ISBN: 978-84-8438-627-8,  978-84-8438-628-5

Ano de publicación: 2017

Título do volume: Giza Zientziak eta Artea

Tomo: 1

Volume: 1

Páxinas: 135-141

Congreso: Ikergazte. Nazioarteko Ikerketa Euskaraz (2. 2017. Iruñea)

Tipo: Achega congreso

DOI: 10.26876/IKERGAZTE.II.01.18 DIALNET GOOGLE SCHOLAR lock_openAcceso aberto editor

Resumo

Much of contemporary art seeks to deconstruct critically the knowledge, objects, and spaces whichcondition our lives. Based on this contextual inclination and criticism of the same process ofrepresentation, we attempt to elucidate the possibility of contemporary art to give meaning to thelandscape surrounding us. To do this, we rely on the works of art made by Asier Mendizabal, GorkaEizagirre and Ibon Aranberri in relation to the representation of the Basque countryside, analyzingthe relationships between the images that form the landscape and the subject that they describe.

Fonte de datos: Dialnet